Characterization (Michael)

Characterization: the process by which the author reveals the personality and/or certain traits of a particular character. 'The Godfather' is a piece of literature containing a large variety of characters. Their individual personalities and quirks are unveiled gradually during the duration of the movie, as the plot progresses. Michael is one such of these characters. Portrayed as a young man in the movie, he is shown to be a nicely dressed man that is from a well off family. Within the first few scenes of the movie it is already clear that he is the son of one of the largest leaders of undercover business in The United States of America. However, this family is clearly not in hiding regardless of their blunt connection to the mafia. At this man's sister's wedding he automatically seems to stand out from the rest of his family. He is dressed in a military uniform, while every other man is in formal attire. Also, his girlfriend is clearly not Italian, unlike almost every other participant in this wedding. As the wedding party progresses Michael informs Kay, "That's my family Kay, not me." This is a key line in the movie since it accentuates the fact that Michael doesn't wish to participate in the family business.

Light and Dark

Light and darkness is a motif that is addressed in countless pieces of literature. Last year, in 'Of Mice and Men' we focused on the reoccurrence of light and darkness when used to show the enlightenment of the various characters. In the 'Godfather', however, another meaning of light and darkness is visible.
There is a scene in this movie where Tom Hagens is involved in a less then cordial interaction with Sollotzo. In this scene, Sollotzo presents Tom Hagens with a proposition. Throughout, the entire scene the face of Tom Hagens is only half lit. Shadows fill the other side of his face. This display of darkness and lightness on the characters face shows the internal conflict he is facing. Tom Hagens knows that the deal that Sollotzo offers is worthwhile. But, this is the man that recently killed his father.
Overall, light and darkness prove unseen points of view in this particular scene.